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	<id>https://wiki.yesmap.net/wiki/index.php?action=history&amp;feed=atom&amp;title=Gabriel_Matzneff</id>
	<title>Gabriel Matzneff - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.yesmap.net/wiki/index.php?action=history&amp;feed=atom&amp;title=Gabriel_Matzneff"/>
	<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;action=history"/>
	<updated>2026-05-01T01:02:38Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.45.3</generator>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26796&amp;oldid=prev</id>
		<title>The Admins: /* Gallery */</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26796&amp;oldid=prev"/>
		<updated>2024-06-01T12:46:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Gallery&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:46, 1 June 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l75&quot;&gt;Line 75:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 75:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Matzneff.jpg|Matzneff the writer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Matzneff.jpg|Matzneff the writer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Unknown girl reads Matzneff on the banks of the Seine.jpg|An unknown girl reads Gabriel Matzneff on the banks of the Seine&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Unknown girl reads Matzneff on the banks of the Seine.jpg|An unknown girl reads Gabriel Matzneff on the banks of the Seine&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:G.M. with teen who inspired Anne Geneviève in Ivre du vin perdu.jpg|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;&lt;/del&gt;Matzneff with the teenager who inspired the character of Anne-Geneviève in &#039;&#039;Ivre du vin perdu&#039;&#039; - very likely Francesca Gee - at Notre-Dame (photo by Arnaud Baumann)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:G.M. with teen who inspired Anne Geneviève in Ivre du vin perdu.jpg|Matzneff with the teenager who inspired the character of Anne-Geneviève in &#039;&#039;Ivre du vin perdu&#039;&#039; - very likely Francesca Gee - at Notre-Dame (photo by Arnaud Baumann)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Marie-Agnès B., very present in Gabriel Matzneff&#039;s diaries.jpg|Marie-Agnès B., very present in Gabriel Matzneff&#039;s diaries - in particular in &#039;&#039;Mes amours décomposés&#039;&#039;, in &#039;&#039;Calamity Gab&#039;&#039;, in &#039;&#039;La prunelle de mes yeux&#039;&#039;, in &#039;&#039;Carnets noirs&#039;&#039; 2007-2008 and in &#039;&#039;Les Emiles de Gab la Rafale&#039;&#039; - and who inspired one of the poems of &#039;&#039;Super Flumina Babylonis&#039;&#039; and the character of Constance in &#039;&#039;Here come the Fiancé&#039;&#039;.&amp;lt;/small&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Marie-Agnès B., very present in Gabriel Matzneff&#039;s diaries.jpg|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;&lt;/ins&gt;Marie-Agnès B., very present in Gabriel Matzneff&#039;s diaries - in particular in &#039;&#039;Mes amours décomposés&#039;&#039;, in &#039;&#039;Calamity Gab&#039;&#039;, in &#039;&#039;La prunelle de mes yeux&#039;&#039;, in &#039;&#039;Carnets noirs&#039;&#039; 2007-2008 and in &#039;&#039;Les Emiles de Gab la Rafale&#039;&#039; - and who inspired one of the poems of &#039;&#039;Super Flumina Babylonis&#039;&#039; and the character of Constance in &#039;&#039;Here come the Fiancé&#039;&#039;.&amp;lt;/small&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>The Admins</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26795&amp;oldid=prev</id>
		<title>The Admins: /* Gallery */</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26795&amp;oldid=prev"/>
		<updated>2024-06-01T12:45:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Gallery&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:45, 1 June 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l75&quot;&gt;Line 75:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 75:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Matzneff.jpg|Matzneff the writer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Matzneff.jpg|Matzneff the writer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Unknown girl reads Matzneff on the banks of the Seine.jpg|An unknown girl reads Gabriel Matzneff on the banks of the Seine&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Unknown girl reads Matzneff on the banks of the Seine.jpg|An unknown girl reads Gabriel Matzneff on the banks of the Seine&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:G.M. with teen who inspired Anne Geneviève in Ivre du vin perdu.jpg|Matzneff with the teenager who inspired the character of Anne-Geneviève in &#039;&#039;Ivre du vin perdu&#039;&#039; - very likely Francesca Gee - at Notre-Dame (photo by Arnaud Baumann)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:G.M. with teen who inspired Anne Geneviève in Ivre du vin perdu.jpg|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;&lt;/ins&gt;Matzneff with the teenager who inspired the character of Anne-Geneviève in &#039;&#039;Ivre du vin perdu&#039;&#039; - very likely Francesca Gee - at Notre-Dame (photo by Arnaud Baumann)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Marie-Agnès B., very present in Gabriel Matzneff&#039;s diaries.jpg|Marie-Agnès B., very present in Gabriel Matzneff&#039;s diaries - in particular in &#039;&#039;Mes amours décomposés&#039;&#039;, in &#039;&#039;Calamity Gab&#039;&#039;, in &#039;&#039;La prunelle de mes yeux&#039;&#039;, in &#039;&#039;Carnets noirs&#039;&#039; 2007-2008 and in &#039;&#039;Les Emiles de Gab la Rafale&#039;&#039; - and who inspired one of the poems of &#039;&#039;Super Flumina Babylonis&#039;&#039; and the character of Constance in &#039;&#039;Here come the Fiancé&#039;&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Marie-Agnès B., very present in Gabriel Matzneff&#039;s diaries.jpg|Marie-Agnès B., very present in Gabriel Matzneff&#039;s diaries - in particular in &#039;&#039;Mes amours décomposés&#039;&#039;, in &#039;&#039;Calamity Gab&#039;&#039;, in &#039;&#039;La prunelle de mes yeux&#039;&#039;, in &#039;&#039;Carnets noirs&#039;&#039; 2007-2008 and in &#039;&#039;Les Emiles de Gab la Rafale&#039;&#039; - and who inspired one of the poems of &#039;&#039;Super Flumina Babylonis&#039;&#039; and the character of Constance in &#039;&#039;Here come the Fiancé&#039;&#039;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/small&amp;gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>The Admins</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26707&amp;oldid=prev</id>
		<title>The Admins at 09:58, 31 May 2024</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26707&amp;oldid=prev"/>
		<updated>2024-05-31T09:58:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:58, 31 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l47&quot;&gt;Line 47:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ms. Gee claims to have attempted to publish a condemnatory book on her relationship with Matzneff, which was rejected by multiple publishers, and - most seriously for Matzneff - that he had published sexually charged letters she wrote to him as a teenager without her permission. The &amp;#039;&amp;#039;Times&amp;#039;&amp;#039; wrote:    &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ms. Gee claims to have attempted to publish a condemnatory book on her relationship with Matzneff, which was rejected by multiple publishers, and - most seriously for Matzneff - that he had published sexually charged letters she wrote to him as a teenager without her permission. The &amp;#039;&amp;#039;Times&amp;#039;&amp;#039; wrote:    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Encouraged by Mr. Matzneff, Ms. Gee had written him hundreds of amorous and sexually explicit letters during their three years together.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Encouraged by Mr. Matzneff, Ms. Gee had written him hundreds of amorous and sexually explicit letters during their three years together.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Matzneff with Francesca Gee Paris 1975.png|thumb|Matzneff and Gee in Paris, 1975.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Matzneff with Francesca Gee Paris 1975.png|thumb|Matzneff and Gee in Paris, 1975.]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of them he published in 1974, without her authorization, in his fierce defense of pedophilia, “Les Moins de Seize Ans” (“Under 16 Years Old”). He was offering those letters, he wrote in another book, “Les Passions Schismatiques,” as evidence that “a relationship of love between an adult and a child could be for the latter extremely rich, and the source of a fullness of life.”&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Some of them he published in 1974, without her authorization, in his fierce defense of pedophilia, “Les Moins de Seize Ans” (“Under 16 Years Old”). He was offering those letters, he wrote in another book, “Les Passions Schismatiques,” as evidence that “a relationship of love between an adult and a child could be for the latter extremely rich, and the source of a fullness of life.”&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ms. Gee said the words in the letters were those of a teenager manipulated by a man the age of her parents. Her letters were also used in “Ivre du vin perdu,” the novel whose cover featured an illustration of her.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Ms. Gee said the words in the letters were those of a teenager manipulated by a man the age of her parents. Her letters were also used in “Ivre du vin perdu,” the novel whose cover featured an illustration of her.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;“Now I consider they were extorted and used as a weapon against me,” Ms. Gee said. In her manuscript, Ms. Gee writes that “he used me to justify the sexual exploitation of children and teenagers.”&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;“Now I consider they were extorted and used as a weapon against me,” Ms. Gee said. In her manuscript, Ms. Gee writes that “he used me to justify the sexual exploitation of children and teenagers.”&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>The Admins</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26706&amp;oldid=prev</id>
		<title>The Admins at 09:57, 31 May 2024</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26706&amp;oldid=prev"/>
		<updated>2024-05-31T09:57:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:57, 31 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Line 22:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;To death threats he responded that &amp;quot;what was written in &amp;#039;&amp;#039;Rivarol&amp;#039;&amp;#039; had no importance whatsoever; and that it was only natural that the extreme right should speak the language of the extreme right. So I didn&amp;#039;t phone my lawyer and I thought of other matters.&amp;quot;&amp;lt;ref name=&amp;quot;Matzneff&amp;quot;&amp;gt;[http://www.pileface.com/sollers/pdf/Les%20petites%20cuill%C3%A8res%20d&amp;#039;argent2.pdf Article by Matzneff (in French)].&amp;lt;/ref&amp;gt; In a later 1980s criticism, he describes being &amp;quot;struck by the similarity of the vocabulary used by anti-Semites and that used by those who call for the extermination of libertines. The ingredients are the same: jealousy, hatred, caricature to make the enemy despicable and hateful.&amp;quot;&amp;lt;ref name=&amp;quot;Matzneff&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;To death threats he responded that &amp;quot;what was written in &amp;#039;&amp;#039;Rivarol&amp;#039;&amp;#039; had no importance whatsoever; and that it was only natural that the extreme right should speak the language of the extreme right. So I didn&amp;#039;t phone my lawyer and I thought of other matters.&amp;quot;&amp;lt;ref name=&amp;quot;Matzneff&amp;quot;&amp;gt;[http://www.pileface.com/sollers/pdf/Les%20petites%20cuill%C3%A8res%20d&amp;#039;argent2.pdf Article by Matzneff (in French)].&amp;lt;/ref&amp;gt; In a later 1980s criticism, he describes being &amp;quot;struck by the similarity of the vocabulary used by anti-Semites and that used by those who call for the extermination of libertines. The ingredients are the same: jealousy, hatred, caricature to make the enemy despicable and hateful.&amp;quot;&amp;lt;ref name=&amp;quot;Matzneff&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His open discussion of intergenerational sex slowly became more controversial during and after the 1990s, during where age-disparate sex and the figure of the &quot;monstrous pedophile&quot;&amp;lt;ref&amp;gt;See, for example, Steven Angelides. (October, 2005). &#039;&#039;The Emergence of the Paedophile in the Late Twentieth Century&#039;&#039;. Australian Historical Studies, 36(126): 272-29. [https://www.researchgate.net/publication/233358216_The_Emergence_of_the_Paedophile_in_the_Late_Twentieth_Century Researchgate] link. [https://www.ipce.info/library_3/files/angelides_frame.htm IPCE] link.&amp;lt;/ref&amp;gt; was more and more openly denounced.&amp;lt;ref&amp;gt;[https://fr.wikipedia.org/wiki/Gabriel_Matzneff#Pros%C3%A9lytisme_%C3%A9ph%C3%A9bophile_et_p%C3%A9dophile Most of the information above is paraphrased from an article in &#039;&#039;Le Monde&#039;&#039;, cited in  Wikipedia].&amp;lt;/ref&amp;gt; For example, the late journalist Denise Bombardier was considered outspoken in 1990, for expressing her disgust towards Matzneff on the set of &#039;&#039;Apostrophes&#039;&#039; in 1990.&amp;lt;ref&amp;gt;[https://actu.orange.fr/france/denise-bombardier-est-morte-elle-avait-accuse-gabriel-matzneff-de-pedophilie-a-la-tv-magic-CNT0000025iZ27.html Denise Bombardier est morte : elle avait accusé Gabriel Matzneff de pédophilie à la TV]&amp;lt;/ref&amp;gt; Even at this time, Bombardier faced backlash in the French press, allegedly including the French female journalist [&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/del&gt;:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;//en.wikipedia.org/wiki/&lt;/del&gt;Josyane_Savigneau Josyane Savigneau], editor-in-chief of &#039;&#039;Le Monde des Livres&#039;&#039;.&amp;lt;ref&amp;gt;This claim is &quot;alleged&quot; because, at time of writing, [&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/del&gt;:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;//en.wikipedia.org/wiki/&lt;/del&gt;Josyane_Savigneau English Wikipedia sources for her] which make this claim, give 2 citations. The first is a BBC article (linked in the next footnote) which makes no mention of her. The next citation is from the &#039;&#039;Financial Times&#039;&#039;, which is behind a paywall and of which we have no access to. Until we have verified the claim, we assume Josyane Savigneau &#039;&#039;may have&#039;&#039; criticized Bombardier / supported Matzneff.&amp;lt;/ref&amp;gt; In an unsourced and unattributed quote, the British BBC noted one critic as saying: &quot;So (Bombardier) has discovered that in the year 1990 girls of 15 make love to men who are 30 years older than they are! Well, big deal!&quot;&amp;lt;ref&amp;gt;[https://www.bbc.com/news/world-europe-51133850 Hugh Schofield, When sexual abuse was called seduction: France confronts its past (BBC News, 19 January, 2020)].&amp;lt;/ref&amp;gt;   That same year, Matzneff joined the publishing house &#039;&#039;Gallimard&#039;&#039; with the help of Philippe Sollers, who published his 1979–1982 collection of diary entries, &quot;Les Soleils révolus&quot;, and paid monthly royalties to Matzneff until 2004.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His open discussion of intergenerational sex slowly became more controversial during and after the 1990s, during where age-disparate sex and the figure of the &quot;monstrous pedophile&quot;&amp;lt;ref&amp;gt;See, for example, Steven Angelides. (October, 2005). &#039;&#039;The Emergence of the Paedophile in the Late Twentieth Century&#039;&#039;. Australian Historical Studies, 36(126): 272-29. [https://www.researchgate.net/publication/233358216_The_Emergence_of_the_Paedophile_in_the_Late_Twentieth_Century Researchgate] link. [https://www.ipce.info/library_3/files/angelides_frame.htm IPCE] link.&amp;lt;/ref&amp;gt; was more and more openly denounced.&amp;lt;ref&amp;gt;[https://fr.wikipedia.org/wiki/Gabriel_Matzneff#Pros%C3%A9lytisme_%C3%A9ph%C3%A9bophile_et_p%C3%A9dophile Most of the information above is paraphrased from an article in &#039;&#039;Le Monde&#039;&#039;, cited in  Wikipedia].&amp;lt;/ref&amp;gt; For example, the late journalist Denise Bombardier was considered outspoken in 1990, for expressing her disgust towards Matzneff on the set of &#039;&#039;Apostrophes&#039;&#039; in 1990.&amp;lt;ref&amp;gt;[https://actu.orange.fr/france/denise-bombardier-est-morte-elle-avait-accuse-gabriel-matzneff-de-pedophilie-a-la-tv-magic-CNT0000025iZ27.html Denise Bombardier est morte : elle avait accusé Gabriel Matzneff de pédophilie à la TV]&amp;lt;/ref&amp;gt; Even at this time, Bombardier faced backlash in the French press, allegedly including the French female journalist [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[Wikipedia&lt;/ins&gt;:Josyane_Savigneau&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;Josyane Savigneau&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;], editor-in-chief of &#039;&#039;Le Monde des Livres&#039;&#039;.&amp;lt;ref&amp;gt;This claim is &quot;alleged&quot; because, at time of writing, [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[wikipedia&lt;/ins&gt;:Josyane_Savigneau&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;English Wikipedia sources for her&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;] which make this claim, give 2 citations. The first is a BBC article (linked in the next footnote) which makes no mention of her. The next citation is from the &#039;&#039;Financial Times&#039;&#039;, which is behind a paywall and of which we have no access to. Until we have verified the claim, we assume Josyane Savigneau &#039;&#039;may have&#039;&#039; criticized Bombardier / supported Matzneff.&amp;lt;/ref&amp;gt; In an unsourced and unattributed quote, the British BBC noted one critic as saying: &quot;So (Bombardier) has discovered that in the year 1990 girls of 15 make love to men who are 30 years older than they are! Well, big deal!&quot;&amp;lt;ref&amp;gt;[https://www.bbc.com/news/world-europe-51133850 Hugh Schofield, When sexual abuse was called seduction: France confronts its past (BBC News, 19 January, 2020)].&amp;lt;/ref&amp;gt;   That same year, Matzneff joined the publishing house &#039;&#039;Gallimard&#039;&#039; with the help of Philippe Sollers, who published his 1979–1982 collection of diary entries, &quot;Les Soleils révolus&quot;, and paid monthly royalties to Matzneff until 2004.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The French context helps explain how Matzneff could live and express his sexual preference so openly. An age of consent was introduced in France on 28 April 1832, fixed to 11 years for both sexes and later raised to 13 years in 1863. On 6 August 1942, the Vichy Government introduced a discriminative law in the Penal Code: article 334 (moved to article 331 on 8 February 1945 by the Provisional Government of the French Republic) which increased the age of consent to 21 for homosexual relations and 15 for heterosexual ones. The age of 21 was then lowered to 18 in 1974, which had become the age of legal majority. This law remained valid until 4 August 1982, when it was [[Wikipedia:LGBT_rights_in_France#Sodomy_laws|repealed under President François Mitterrand]] to equalize the age of consent at 15 years of age.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The French context helps explain how Matzneff could live and express his sexual preference so openly. An age of consent was introduced in France on 28 April 1832, fixed to 11 years for both sexes and later raised to 13 years in 1863. On 6 August 1942, the Vichy Government introduced a discriminative law in the Penal Code: article 334 (moved to article 331 on 8 February 1945 by the Provisional Government of the French Republic) which increased the age of consent to 21 for homosexual relations and 15 for heterosexual ones. The age of 21 was then lowered to 18 in 1974, which had become the age of legal majority. This law remained valid until 4 August 1982, when it was [[Wikipedia:LGBT_rights_in_France#Sodomy_laws|repealed under President François Mitterrand]] to equalize the age of consent at 15 years of age.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l62&quot;&gt;Line 62:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 62:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;A decade later, in 2002, it was Mr. Matzneff who wrote to her, asking, for the first time, her permission to use old photographs of her in a book. In the turquoise blue ink that he always used to pen his letters, Mr. Matzneff offered to identify the teenager as “the young girl who inspired the character of Angiolina in ‘Ivre du vin perdu.’”&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;A decade later, in 2002, it was Mr. Matzneff who wrote to her, asking, for the first time, her permission to use old photographs of her in a book. In the turquoise blue ink that he always used to pen his letters, Mr. Matzneff offered to identify the teenager as “the young girl who inspired the character of Angiolina in ‘Ivre du vin perdu.’”&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not only did Ms. Gee refuse, but she also demanded again that his books be purged of her letters and that her face be taken off the cover of “Ivre du vin perdu.” [...]&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Not only did Ms. Gee refuse, but she also demanded again that his books be purged of her letters and that her face be taken off the cover of “Ivre du vin perdu.” &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;[...]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>The Admins</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26696&amp;oldid=prev</id>
		<title>Prue: /* Gallery */</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26696&amp;oldid=prev"/>
		<updated>2024-05-31T03:15:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Gallery&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:15, 31 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l73&quot;&gt;Line 73:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 73:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Matzneff.jpg|Matzneff the writer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Matzneff.jpg|Matzneff the writer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Unknown girl reads Matzneff on the banks of the Seine.jpg|An unknown girl reads Gabriel Matzneff on the banks of the Seine&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Unknown girl reads Matzneff on the banks of the Seine.jpg|An unknown girl reads Gabriel Matzneff on the banks of the Seine&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:G.M. with teen who inspired Anne Geneviève in Ivre du vin perdu.jpg|Matzneff with the teenager &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(identity unknown to Newgon) &lt;/del&gt;who inspired the character of Anne-Geneviève in &#039;&#039;Ivre du vin perdu&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;at Notre-Dame (photo by Arnaud Baumann)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:G.M. with teen who inspired Anne Geneviève in Ivre du vin perdu.jpg|Matzneff with the teenager who inspired the character of Anne-Geneviève in &#039;&#039;Ivre du vin perdu&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- very likely Francesca Gee - &lt;/ins&gt;at Notre-Dame (photo by Arnaud Baumann)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Marie-Agnès B., very present in Gabriel Matzneff&amp;#039;s diaries.jpg|Marie-Agnès B., very present in Gabriel Matzneff&amp;#039;s diaries - in particular in &amp;#039;&amp;#039;Mes amours décomposés&amp;#039;&amp;#039;, in &amp;#039;&amp;#039;Calamity Gab&amp;#039;&amp;#039;, in &amp;#039;&amp;#039;La prunelle de mes yeux&amp;#039;&amp;#039;, in &amp;#039;&amp;#039;Carnets noirs&amp;#039;&amp;#039; 2007-2008 and in &amp;#039;&amp;#039;Les Emiles de Gab la Rafale&amp;#039;&amp;#039; - and who inspired one of the poems of &amp;#039;&amp;#039;Super Flumina Babylonis&amp;#039;&amp;#039; and the character of Constance in &amp;#039;&amp;#039;Here come the Fiancé&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;File:Marie-Agnès B., very present in Gabriel Matzneff&amp;#039;s diaries.jpg|Marie-Agnès B., very present in Gabriel Matzneff&amp;#039;s diaries - in particular in &amp;#039;&amp;#039;Mes amours décomposés&amp;#039;&amp;#039;, in &amp;#039;&amp;#039;Calamity Gab&amp;#039;&amp;#039;, in &amp;#039;&amp;#039;La prunelle de mes yeux&amp;#039;&amp;#039;, in &amp;#039;&amp;#039;Carnets noirs&amp;#039;&amp;#039; 2007-2008 and in &amp;#039;&amp;#039;Les Emiles de Gab la Rafale&amp;#039;&amp;#039; - and who inspired one of the poems of &amp;#039;&amp;#039;Super Flumina Babylonis&amp;#039;&amp;#039; and the character of Constance in &amp;#039;&amp;#039;Here come the Fiancé&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/gallery&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26695&amp;oldid=prev</id>
		<title>Prue at 03:14, 31 May 2024</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26695&amp;oldid=prev"/>
		<updated>2024-05-31T03:14:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:14, 31 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot;&gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Encouraged by Mr. Matzneff, Ms. Gee had written him hundreds of amorous and sexually explicit letters during their three years together.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Encouraged by Mr. Matzneff, Ms. Gee had written him hundreds of amorous and sexually explicit letters during their three years together.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Matzneff with Francesca Gee Paris 1975.png|thumb|Matzneff and Gee in Paris, 1975.]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of them he published in 1974, without her authorization, in his fierce defense of pedophilia, “Les Moins de Seize Ans” (“Under 16 Years Old”). He was offering those letters, he wrote in another book, “Les Passions Schismatiques,” as evidence that “a relationship of love between an adult and a child could be for the latter extremely rich, and the source of a fullness of life.”&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of them he published in 1974, without her authorization, in his fierce defense of pedophilia, “Les Moins de Seize Ans” (“Under 16 Years Old”). He was offering those letters, he wrote in another book, “Les Passions Schismatiques,” as evidence that “a relationship of love between an adult and a child could be for the latter extremely rich, and the source of a fullness of life.”&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26693&amp;oldid=prev</id>
		<title>Prue at 03:11, 31 May 2024</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26693&amp;oldid=prev"/>
		<updated>2024-05-31T03:11:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:11, 31 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot;&gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Francesca Gee&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Francesca Gee&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Matzneff with Francesca Gee Paris 1973.png|thumb|Matzneff and Gee in Paris, 1973.]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A sexual relationship between Matzneff and Francesca Gee (born 8 February 1958), began when she was 15-years-old on the 11th of August, 1973, and ended acrimoniously in September 1976. According to Matzneff&amp;#039;s diary &amp;#039;&amp;#039;The Francesca Passion: Journal 1974-76&amp;#039;&amp;#039;, for more than 3 years they had a passionate but stormy love affair. Evidence of the emotional hold she still had on him appears throughout this journal, for example: &amp;quot;she was, and still remains today, after a year of separation, the greatest passion of my life, the only woman who totally captivated me, bewitched me. [...] She will have been the being I loved most in the world.&amp;quot; (p. 150). The book also recounts how Matzneff was upset to discover that, while he had been monogamous - most unusual for him - she had been unfaithful to him with an English computer consultant called Michael B., initially during a holiday at Sauze d&amp;#039;Oulx, and lied about it. During this time, Matzneff put up with her what he portrays as her irrational jealousy and frequent tantrums.&amp;lt;ref&amp;gt;See earlier footnotes for a link to English extracts.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A sexual relationship between Matzneff and Francesca Gee (born 8 February 1958), began when she was 15-years-old on the 11th of August, 1973, and ended acrimoniously in September 1976. According to Matzneff&amp;#039;s diary &amp;#039;&amp;#039;The Francesca Passion: Journal 1974-76&amp;#039;&amp;#039;, for more than 3 years they had a passionate but stormy love affair. Evidence of the emotional hold she still had on him appears throughout this journal, for example: &amp;quot;she was, and still remains today, after a year of separation, the greatest passion of my life, the only woman who totally captivated me, bewitched me. [...] She will have been the being I loved most in the world.&amp;quot; (p. 150). The book also recounts how Matzneff was upset to discover that, while he had been monogamous - most unusual for him - she had been unfaithful to him with an English computer consultant called Michael B., initially during a holiday at Sauze d&amp;#039;Oulx, and lied about it. During this time, Matzneff put up with her what he portrays as her irrational jealousy and frequent tantrums.&amp;lt;ref&amp;gt;See earlier footnotes for a link to English extracts.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26691&amp;oldid=prev</id>
		<title>Prue: /* Links */</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26691&amp;oldid=prev"/>
		<updated>2024-05-31T03:04:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Links&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:04, 31 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l79&quot;&gt;Line 79:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 79:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*English translated extracts of Matzneff&#039;s journals [https://greek-love.com/index.php/modern-europe/france/the-journals-of-gabriel-matzneff/a-gallop-from-hell-1977-8 are available online] - see [[Greek Love Through The Ages]].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Media:English Translated Lisi Cori - La Petite Fille Sur Gabriel Matzneff et Le Consentement (2021).pdf|English translation of Lisi Cori, The Little Girl and the Naughty Man (2021)]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Media:English Translated Lisi Cori - La Petite Fille Sur Gabriel Matzneff et Le Consentement (2021).pdf|English translation of Lisi Cori, The Little Girl and the Naughty Man (2021)]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://web.archive.org/web/20130326014423/http://matzneff.com/chronologie.php Chronology of Matzneff&amp;#039;s life]. (French).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://web.archive.org/web/20130326014423/http://matzneff.com/chronologie.php Chronology of Matzneff&amp;#039;s life]. (French).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26690&amp;oldid=prev</id>
		<title>Prue: /* Post 2019 backlash */</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26690&amp;oldid=prev"/>
		<updated>2024-05-31T03:01:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Post 2019 backlash&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:01, 31 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l40&quot;&gt;Line 40:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 40:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Francesca Gee&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Francesca Gee&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The &lt;/del&gt;sexual relationship between Matzneff and Francesca Gee (born 8 February 1958), began when she was 15-years-old on the 11th of August, 1973, and ended acrimoniously in September 1976. According to Matzneff&#039;s diary &#039;&#039;The Francesca Passion: Journal 1974-76&#039;&#039;, for more than 3 years they had a passionate but stormy love affair. Evidence of the emotional hold she still had on him appears throughout this journal, for example: &quot;she was, and still remains today, after a year of separation, the greatest passion of my life, the only woman who totally captivated me, bewitched me. [...] She will have been the being I loved most in the world.&quot; (p. 150). The book also recounts how Matzneff was upset to discover that, while he had been monogamous - most unusual for him - she had been unfaithful to him with an English computer consultant called Michael B., initially during a holiday at Sauze d&#039;Oulx, and lied about it. During this time, Matzneff put up with her what he portrays as her irrational jealousy and frequent tantrums.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A &lt;/ins&gt;sexual relationship between Matzneff and Francesca Gee (born 8 February 1958), began when she was 15-years-old on the 11th of August, 1973, and ended acrimoniously in September 1976. According to Matzneff&#039;s diary &#039;&#039;The Francesca Passion: Journal 1974-76&#039;&#039;, for more than 3 years they had a passionate but stormy love affair. Evidence of the emotional hold she still had on him appears throughout this journal, for example: &quot;she was, and still remains today, after a year of separation, the greatest passion of my life, the only woman who totally captivated me, bewitched me. [...] She will have been the being I loved most in the world.&quot; (p. 150). The book also recounts how Matzneff was upset to discover that, while he had been monogamous - most unusual for him - she had been unfaithful to him with an English computer consultant called Michael B., initially during a holiday at Sauze d&#039;Oulx, and lied about it. During this time, Matzneff put up with her what he portrays as her irrational jealousy and frequent tantrums.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;See earlier footnotes for a link to English extracts.&amp;lt;/ref&amp;gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On March 21st, 2020, the &amp;#039;&amp;#039;New York Times&amp;#039;&amp;#039; writer Norimitsu Onishi, author of two previous mainstream articles condemning Matzneff,&amp;lt;ref&amp;gt;Onishi, &amp;#039;&amp;#039;[https://web.archive.org/web/20200402171813/https://www.nytimes.com/2020/02/11/world/europe/gabriel-matzneff-pedophilia-france.html?searchResultPosition=6 A Pedophile Writer Is on Trial. So Are the French Elites]&amp;#039;&amp;#039;. (&amp;#039;&amp;#039;NY Times&amp;#039;&amp;#039;, Feb 2020).&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Onishi, &amp;#039;&amp;#039;[https://web.archive.org/web/20200402171929/https://www.nytimes.com/2020/03/07/world/europe/gabriel-matzneff-christophe-girard-pedophile.html?searchResultPosition=3 Supporter of Gabriel Matzneff Says He Was Unaware of Pedophilia]&amp;#039;&amp;#039;. (&amp;#039;&amp;#039;NY Times&amp;#039;&amp;#039;, March 2020).&amp;lt;/ref&amp;gt;profiled one of Matzneff&amp;#039;s former lovers from over 40 years ago, Ms. Francesca Gee, now 62 years-old. Ms. Gee contacted the &amp;#039;&amp;#039;Times&amp;#039;&amp;#039; in the wake of Springora&amp;#039;s publicity and after the paper had published critically on Matzneff. In the article, Ms. Gee states that she came to re-interpret her relationship with Matzneff as negative by the 1990s, almost 20 years after they parted: &amp;quot;&amp;#039;&amp;#039;For years, Ms. Gee’s feelings about her experience with Mr. Matzneff were “muddied.” Then in the early 1990s, her understanding became clearer.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On March 21st, 2020, the &amp;#039;&amp;#039;New York Times&amp;#039;&amp;#039; writer Norimitsu Onishi, author of two previous mainstream articles condemning Matzneff,&amp;lt;ref&amp;gt;Onishi, &amp;#039;&amp;#039;[https://web.archive.org/web/20200402171813/https://www.nytimes.com/2020/02/11/world/europe/gabriel-matzneff-pedophilia-france.html?searchResultPosition=6 A Pedophile Writer Is on Trial. So Are the French Elites]&amp;#039;&amp;#039;. (&amp;#039;&amp;#039;NY Times&amp;#039;&amp;#039;, Feb 2020).&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Onishi, &amp;#039;&amp;#039;[https://web.archive.org/web/20200402171929/https://www.nytimes.com/2020/03/07/world/europe/gabriel-matzneff-christophe-girard-pedophile.html?searchResultPosition=3 Supporter of Gabriel Matzneff Says He Was Unaware of Pedophilia]&amp;#039;&amp;#039;. (&amp;#039;&amp;#039;NY Times&amp;#039;&amp;#039;, March 2020).&amp;lt;/ref&amp;gt;profiled one of Matzneff&amp;#039;s former lovers from over 40 years ago, Ms. Francesca Gee, now 62 years-old. Ms. Gee contacted the &amp;#039;&amp;#039;Times&amp;#039;&amp;#039; in the wake of Springora&amp;#039;s publicity and after the paper had published critically on Matzneff. In the article, Ms. Gee states that she came to re-interpret her relationship with Matzneff as negative by the 1990s, almost 20 years after they parted: &amp;quot;&amp;#039;&amp;#039;For years, Ms. Gee’s feelings about her experience with Mr. Matzneff were “muddied.” Then in the early 1990s, her understanding became clearer.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26689&amp;oldid=prev</id>
		<title>Prue: /* Post 2019 backlash */</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Gabriel_Matzneff&amp;diff=26689&amp;oldid=prev"/>
		<updated>2024-05-31T02:58:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Post 2019 backlash&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:58, 31 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot;&gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Francesca Gee&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Francesca Gee&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The sexual relationship between Matzneff and Francesca Gee (born 8 February 1958), began when she was 15-years-old on the 11th of August, 1973, and ended acrimoniously in September 1976. According to Matzneff&#039;s diary &#039;&#039;The Francesca Passion: Journal 1974-76&#039;&#039;, for more than 3 years they had a passionate but stormy love affair. Evidence of the emotional hold she still had on him appears throughout this journal, for example: &quot;she was, and still remains today, after a year of separation, the greatest passion of my life, the only woman who totally captivated me, bewitched me. [...] She will have been the being I loved most in the world.&quot; (p. 150). The book also recounts how Matzneff was upset to discover that, while he had been monogamous - most unusual for him - she had been unfaithful to him with an English computer consultant called Michael B., initially during a holiday at Sauze d&#039;Oulx, and lied about it. During this time, Matzneff put up with her what he portrays as her irrational jealousy and frequent tantrums. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On March 21st, 2020, the &amp;#039;&amp;#039;New York Times&amp;#039;&amp;#039; writer Norimitsu Onishi, author of two previous mainstream articles condemning Matzneff,&amp;lt;ref&amp;gt;Onishi, &amp;#039;&amp;#039;[https://web.archive.org/web/20200402171813/https://www.nytimes.com/2020/02/11/world/europe/gabriel-matzneff-pedophilia-france.html?searchResultPosition=6 A Pedophile Writer Is on Trial. So Are the French Elites]&amp;#039;&amp;#039;. (&amp;#039;&amp;#039;NY Times&amp;#039;&amp;#039;, Feb 2020).&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Onishi, &amp;#039;&amp;#039;[https://web.archive.org/web/20200402171929/https://www.nytimes.com/2020/03/07/world/europe/gabriel-matzneff-christophe-girard-pedophile.html?searchResultPosition=3 Supporter of Gabriel Matzneff Says He Was Unaware of Pedophilia]&amp;#039;&amp;#039;. (&amp;#039;&amp;#039;NY Times&amp;#039;&amp;#039;, March 2020).&amp;lt;/ref&amp;gt;profiled one of Matzneff&amp;#039;s former lovers from over 40 years ago, Ms. Francesca Gee, now 62 years-old. Ms. Gee contacted the &amp;#039;&amp;#039;Times&amp;#039;&amp;#039; in the wake of Springora&amp;#039;s publicity and after the paper had published critically on Matzneff. In the article, Ms. Gee states that she came to re-interpret her relationship with Matzneff as negative by the 1990s, almost 20 years after they parted: &amp;quot;&amp;#039;&amp;#039;For years, Ms. Gee’s feelings about her experience with Mr. Matzneff were “muddied.” Then in the early 1990s, her understanding became clearer.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On March 21st, 2020, the &amp;#039;&amp;#039;New York Times&amp;#039;&amp;#039; writer Norimitsu Onishi, author of two previous mainstream articles condemning Matzneff,&amp;lt;ref&amp;gt;Onishi, &amp;#039;&amp;#039;[https://web.archive.org/web/20200402171813/https://www.nytimes.com/2020/02/11/world/europe/gabriel-matzneff-pedophilia-france.html?searchResultPosition=6 A Pedophile Writer Is on Trial. So Are the French Elites]&amp;#039;&amp;#039;. (&amp;#039;&amp;#039;NY Times&amp;#039;&amp;#039;, Feb 2020).&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Onishi, &amp;#039;&amp;#039;[https://web.archive.org/web/20200402171929/https://www.nytimes.com/2020/03/07/world/europe/gabriel-matzneff-christophe-girard-pedophile.html?searchResultPosition=3 Supporter of Gabriel Matzneff Says He Was Unaware of Pedophilia]&amp;#039;&amp;#039;. (&amp;#039;&amp;#039;NY Times&amp;#039;&amp;#039;, March 2020).&amp;lt;/ref&amp;gt;profiled one of Matzneff&amp;#039;s former lovers from over 40 years ago, Ms. Francesca Gee, now 62 years-old. Ms. Gee contacted the &amp;#039;&amp;#039;Times&amp;#039;&amp;#039; in the wake of Springora&amp;#039;s publicity and after the paper had published critically on Matzneff. In the article, Ms. Gee states that she came to re-interpret her relationship with Matzneff as negative by the 1990s, almost 20 years after they parted: &amp;quot;&amp;#039;&amp;#039;For years, Ms. Gee’s feelings about her experience with Mr. Matzneff were “muddied.” Then in the early 1990s, her understanding became clearer.&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
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