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	<id>https://wiki.yesmap.net/wiki/index.php?action=history&amp;feed=atom&amp;title=Paul_Gauguin</id>
	<title>Paul Gauguin - Revision history</title>
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	<updated>2026-05-09T12:34:53Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=33714&amp;oldid=prev</id>
		<title>Prue at 00:13, 24 January 2026</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=33714&amp;oldid=prev"/>
		<updated>2026-01-24T00:13:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:13, 24 January 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[wikipedia:Paul_Gauguin|&amp;#039;&amp;#039;&amp;#039;Paul Gauguin&amp;#039;&amp;#039;&amp;#039;]] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[wikipedia:Paul_Gauguin|&amp;#039;&amp;#039;&amp;#039;Paul Gauguin&amp;#039;&amp;#039;&amp;#039;]] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Leading a life full of hardship and struggle, Gauguin was compelled to relocate frequently in search of financial success and security. During his tumultuous life, Gauguin married and formed relationships with females of various ages, including some female teenagers. Especially in French Polynesia, Gauguin&#039;s sexual relationships involved female adolescents / teenagers who engaged in consensual relations with the approval of their family and in-line with local community norms and customs; an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, with his 15&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;year&lt;/del&gt;-old wife [[wikipedia:Merahi_metua_no_Tehamana|Teha&#039;amana]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;being &lt;/del&gt;the subject of several of Gauguin&#039;s paintings, including the celebrated [[wikipedia:Spirit_of_the_Dead_Watching|&#039;&#039;Spirit of the Dead Watching&#039;&#039;]].&amp;lt;ref&amp;gt;Although widely thought to have been 13-years-old, a birth certificate discovered by Sue Prideaux (2025) suggests she &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;wes &lt;/del&gt;actually 15-years-old.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Leading a life full of hardship and struggle, Gauguin was compelled to relocate frequently in search of financial success and security. During his tumultuous life, Gauguin married and formed relationships with females of various ages, including some female teenagers. Especially in French Polynesia, Gauguin&#039;s sexual relationships involved female adolescents / teenagers who engaged in consensual relations with the approval of their family and in-line with local community norms and customs; an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Although widely thought to have been 13&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;years&lt;/ins&gt;-old&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, a birth certificate discovered by Sue Prideaux (2025) suggests that his &lt;/ins&gt;wife [[wikipedia:Merahi_metua_no_Tehamana|Teha&#039;amana]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was actually 15-years-old. She was &lt;/ins&gt;the subject of several of Gauguin&#039;s paintings, including the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;famous and much &lt;/ins&gt;celebrated [[wikipedia:Spirit_of_the_Dead_Watching|&#039;&#039;Spirit of the Dead Watching&#039;&#039;]].&amp;lt;ref&amp;gt;Although widely thought to have been 13-years-old, a birth certificate discovered by Sue Prideaux (2025) suggests &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that &lt;/ins&gt;she &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was &lt;/ins&gt;actually 15-years-old.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32701&amp;oldid=prev</id>
		<title>Jim Burton: i</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32701&amp;oldid=prev"/>
		<updated>2025-10-01T15:23:15Z</updated>

		<summary type="html">&lt;p&gt;i&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:23, 1 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot;&gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Gauguin had three serious relationships. Tehamana, the best known partner, had been supposed to be 13 but a recently discovered birth certificate shows her to have been 15. Within these relationships, Gauguin followed local custom. Sexually experienced girls were offered by their families. No money changed hands. After a couple of weeks, the girl went home to her family for a period, to decide if she then wanted to go back to her new husband. Tehamana returned to Gauguin. There was no coercion. She, like Gauguin’s later lovers, was free to come and go, to return home for good if she liked, and to take other lovers.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Gauguin had three serious relationships. Tehamana, the best known partner, had been supposed to be 13 but a recently discovered birth certificate shows her to have been 15. Within these relationships, Gauguin followed local custom. Sexually experienced girls were offered by their families. No money changed hands. After a couple of weeks, the girl went home to her family for a period, to decide if she then wanted to go back to her new husband. Tehamana returned to Gauguin. There was no coercion. She, like Gauguin’s later lovers, was free to come and go, to return home for good if she liked, and to take other lovers.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There was no financial advantage in staying: Gauguin in his beach hut was no richer than the average villager. When he went back to Paris for a couple of years to sell his paintings, Tehamana remarried. On his return, she went to live with him for a couple of weeks for old times’ sake.&#039;&#039;&amp;lt;ref&amp;gt;Sue Prideaux, [https://www.theguardian.com/artanddesign/2025/mar/17/polynesians-astonishing-revelations-paul-gauguin-syphilis-underage ‘The Polynesians loved him’: the astonishing revelations that cast Paul Gauguin in a new light] (&#039;&#039;The Guardian&#039;&#039;, 17 March, 2025).&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;There was no financial advantage in staying: Gauguin in his beach hut was no richer than the average villager. When he went back to Paris for a couple of years to sell his paintings, Tehamana remarried. On his return, she went to live with him for a couple of weeks for old times’ sake.&#039;&#039;&amp;lt;ref&amp;gt;Sue Prideaux, [https://www.theguardian.com/artanddesign/2025/mar/17/polynesians-astonishing-revelations-paul-gauguin-syphilis-underage ‘The Polynesians loved him’: the astonishing revelations that cast Paul Gauguin in a new light] (&#039;&#039;The Guardian&#039;&#039;, 17 March, 2025).&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Official_Encyclopedia]][[Category:People]][[Category:People: Deceased]][[Category:People: French]][[Category:People: Artists and Poets]][[Category:People: Adult or Minor sexually attracted to or involved with the other]][[Category:People: Historical minor-attracted figures]][[Category:Art]][[Category:History &amp;amp; Events: American]][[Category:History &amp;amp; Events: 19th C]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Official_Encyclopedia]][[Category:People]][[Category:People: Deceased]][[Category:People: French]][[Category:People: Artists and Poets]][[Category:People: Adult or Minor sexually attracted to or involved with the other]][[Category:People: Historical minor-attracted figures]][[Category:Art]][[Category:History &amp;amp; Events: American]][[Category:History &amp;amp; Events: 19th C]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jim Burton</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32700&amp;oldid=prev</id>
		<title>Jim Burton: pipe</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32700&amp;oldid=prev"/>
		<updated>2025-10-01T15:22:17Z</updated>

		<summary type="html">&lt;p&gt;pipe&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:22, 1 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/del&gt;:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;//en.wikipedia.org/wiki/&lt;/del&gt;Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[wikipedia&lt;/ins&gt;:Paul_Gauguin&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;&#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Leading a life full of hardship and struggle, Gauguin was compelled to relocate frequently in search of financial success and security. During his tumultuous life, Gauguin married and formed relationships with females of various ages, including some female teenagers. Especially in French Polynesia, Gauguin&#039;s sexual relationships involved female adolescents / teenagers who engaged in consensual relations with the approval of their family and in-line with local community norms and customs; an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old wife [&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/del&gt;:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;//en.wikipedia.org/wiki/&lt;/del&gt;Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/del&gt;:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;//en.wikipedia.org/wiki/&lt;/del&gt;Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&amp;lt;ref&amp;gt;Although widely thought to have been 13-years-old, a birth certificate discovered by Sue Prideaux (2025) suggests she wes actually 15-years-old.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Leading a life full of hardship and struggle, Gauguin was compelled to relocate frequently in search of financial success and security. During his tumultuous life, Gauguin married and formed relationships with females of various ages, including some female teenagers. Especially in French Polynesia, Gauguin&#039;s sexual relationships involved female adolescents / teenagers who engaged in consensual relations with the approval of their family and in-line with local community norms and customs; an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old wife [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[wikipedia&lt;/ins&gt;:Merahi_metua_no_Tehamana&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;Teha&#039;amana&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;] being the subject of several of Gauguin&#039;s paintings, including the celebrated [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[wikipedia&lt;/ins&gt;:Spirit_of_the_Dead_Watching&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;&#039;&#039;Spirit of the Dead Watching&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;].&amp;lt;ref&amp;gt;Although widely thought to have been 13-years-old, a birth certificate discovered by Sue Prideaux (2025) suggests she wes actually 15-years-old.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jim Burton</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32692&amp;oldid=prev</id>
		<title>Prue at 03:08, 1 October 2025</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32692&amp;oldid=prev"/>
		<updated>2025-10-01T03:08:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:08, 1 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Leading a life full of hardship and struggle, Gauguin &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;would move &lt;/del&gt;frequently in search of financial success and security, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;marrying &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;forming &lt;/del&gt;relationships with females of various ages. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Some of these relationships, especially &lt;/del&gt;in French Polynesia, involved female adolescents / teenagers &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;engaging &lt;/del&gt;in consensual relations with the approval of their family and community norms &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/del&gt;an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&amp;lt;ref&amp;gt;Although widely thought to have been 13-years-old, a birth certificate discovered by Sue Prideaux (2025) suggests she wes actually 15-years-old.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Leading a life full of hardship and struggle, Gauguin &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was compelled to relocate &lt;/ins&gt;frequently in search of financial success and security&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. During his tumultuous life&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gauguin married &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;formed &lt;/ins&gt;relationships with females of various ages&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, including some female teenagers&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Especially &lt;/ins&gt;in French Polynesia, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gauguin&#039;s sexual relationships &lt;/ins&gt;involved female adolescents / teenagers &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who engaged &lt;/ins&gt;in consensual relations with the approval of their family and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in-line with local &lt;/ins&gt;community norms &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and customs; &lt;/ins&gt;an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&amp;lt;ref&amp;gt;Although widely thought to have been 13-years-old, a birth certificate discovered by Sue Prideaux (2025) suggests she wes actually 15-years-old.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32691&amp;oldid=prev</id>
		<title>Prue at 03:03, 1 October 2025</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32691&amp;oldid=prev"/>
		<updated>2025-10-01T03:03:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:03, 1 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Leading a life full of hardship and struggle, Gauguin would move frequently in search of financial success and security, marrying and forming relationships with females of various ages. Some of these relationships, especially in French Polynesia, involved female adolescents / teenagers engaging in consensual relations with the approval of their family and community norms - an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;Although widely thought to have been 13-years-old, a birth certificate discovered by Sue Prideaux (2025) suggests she wes actually 15-years-old.&amp;lt;/ref&amp;gt; &lt;/del&gt;wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Leading a life full of hardship and struggle, Gauguin would move frequently in search of financial success and security, marrying and forming relationships with females of various ages. Some of these relationships, especially in French Polynesia, involved female adolescents / teenagers engaging in consensual relations with the approval of their family and community norms - an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;Although widely thought to have been 13-years-old, a birth certificate discovered by Sue Prideaux (2025) suggests she wes actually 15-years-old.&amp;lt;/ref&amp;gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32690&amp;oldid=prev</id>
		<title>Prue at 03:03, 1 October 2025</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32690&amp;oldid=prev"/>
		<updated>2025-10-01T03:03:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:03, 1 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Leading a life full of hardship and struggle, Gauguin would move frequently in search of financial success and security, marrying and forming relationships with females of various ages. Some of these relationships, especially in French Polynesia, involved female adolescents / teenagers engaging in consensual relations with the approval of their family and community norms - an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Leading a life full of hardship and struggle, Gauguin would move frequently in search of financial success and security, marrying and forming relationships with females of various ages. Some of these relationships, especially in French Polynesia, involved female adolescents / teenagers engaging in consensual relations with the approval of their family and community norms - an &quot;unexceptional&quot; occurrence in terms of time and place.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;Although widely thought to have been 13-years-old, a birth certificate discovered by Sue Prideaux (2025) suggests she wes actually 15-years-old.&amp;lt;/ref&amp;gt; &lt;/ins&gt;wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32689&amp;oldid=prev</id>
		<title>Prue at 03:01, 1 October 2025</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32689&amp;oldid=prev"/>
		<updated>2025-10-01T03:01:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:01, 1 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Leading a life full of hardship and struggle, Gauguin would move frequently in search of financial success and security, marrying and forming relationships with females of various ages &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(roughly age 13 &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;above) &lt;/del&gt;- an &quot;unexceptional&quot; occurrence in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;context&lt;/del&gt;.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Leading a life full of hardship and struggle, Gauguin would move frequently in search of financial success and security, marrying and forming relationships with females of various ages&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Some of these relationships, especially in French Polynesia, involved female adolescents / teenagers engaging in consensual relations with the approval of their family &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;community norms &lt;/ins&gt;- an &quot;unexceptional&quot; occurrence in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;terms of time and place&lt;/ins&gt;.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his 15-year-old wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32688&amp;oldid=prev</id>
		<title>Prue at 02:55, 1 October 2025</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32688&amp;oldid=prev"/>
		<updated>2025-10-01T02:55:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:55, 1 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&amp;#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&amp;#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &amp;#039;&amp;#039;Wild Thing: A Life of Paul Gauguin&amp;#039;&amp;#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. Writing in &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039;, Sue Prideaux writes:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gauguin had three serious relationships. Tehamana, the best known partner, had been supposed to be 13 but a recently discovered birth certificate shows her to have been 15. Within these relationships, Gauguin followed local custom. Sexually experienced girls were offered by their families. No money changed hands. After a couple of weeks, the girl went home to her family for a period, to decide if she then wanted to go back to her new husband. Tehamana returned to Gauguin. There was no coercion. She, like Gauguin’s later lovers, was free to come and go, to return home for good if she liked, and to take other lovers.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;blockquote&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Gauguin had three serious relationships. Tehamana, the best known partner, had been supposed to be 13 but a recently discovered birth certificate shows her to have been 15. Within these relationships, Gauguin followed local custom. Sexually experienced girls were offered by their families. No money changed hands. After a couple of weeks, the girl went home to her family for a period, to decide if she then wanted to go back to her new husband. Tehamana returned to Gauguin. There was no coercion. She, like Gauguin’s later lovers, was free to come and go, to return home for good if she liked, and to take other lovers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;There was no financial advantage in staying: Gauguin in his beach hut was no richer than the average villager. When he went back to Paris for a couple of years to sell his paintings, Tehamana remarried. On his return, she went to live with him for a couple of weeks for old times’ sake.&amp;lt;ref&amp;gt;Sue Prideaux, [https://www.theguardian.com/artanddesign/2025/mar/17/polynesians-astonishing-revelations-paul-gauguin-syphilis-underage ‘The Polynesians loved him’: the astonishing revelations that cast Paul Gauguin in a new light] (&#039;&#039;The Guardian&#039;&#039;, 17 March, 2025).&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;There was no financial advantage in staying: Gauguin in his beach hut was no richer than the average villager. When he went back to Paris for a couple of years to sell his paintings, Tehamana remarried. On his return, she went to live with him for a couple of weeks for old times’ sake.&#039;&#039;&amp;lt;ref&amp;gt;Sue Prideaux, [https://www.theguardian.com/artanddesign/2025/mar/17/polynesians-astonishing-revelations-paul-gauguin-syphilis-underage ‘The Polynesians loved him’: the astonishing revelations that cast Paul Gauguin in a new light] (&#039;&#039;The Guardian&#039;&#039;, 17 March, 2025).&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/blockquote&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Official_Encyclopedia]][[Category:People]][[Category:People: Deceased]][[Category:People: French]][[Category:People: Artists and Poets]][[Category:People: Adult or Minor sexually attracted to or involved with the other]][[Category:People: Historical minor-attracted figures]][[Category:Art]][[Category:History &amp;amp; Events: American]][[Category:History &amp;amp; Events: 19th C]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Official_Encyclopedia]][[Category:People]][[Category:People: Deceased]][[Category:People: French]][[Category:People: Artists and Poets]][[Category:People: Adult or Minor sexually attracted to or involved with the other]][[Category:People: Historical minor-attracted figures]][[Category:Art]][[Category:History &amp;amp; Events: American]][[Category:History &amp;amp; Events: 19th C]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32687&amp;oldid=prev</id>
		<title>Prue at 02:54, 1 October 2025</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32687&amp;oldid=prev"/>
		<updated>2025-10-01T02:54:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:54, 1 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Leading a life full of hardship and struggle, Gauguin would move frequently in search of financial success and security, marrying and forming relationships with females of various ages (roughly age 13 and above) - an &quot;unexceptional&quot; occurrence in context.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;13&lt;/del&gt;-year-old wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[https://en.wikipedia.org/wiki/Paul_Gauguin &#039;&#039;&#039;Paul Gauguin&#039;&#039;&#039;] (7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Leading a life full of hardship and struggle, Gauguin would move frequently in search of financial success and security, marrying and forming relationships with females of various ages (roughly age 13 and above) - an &quot;unexceptional&quot; occurrence in context.&amp;lt;ref&amp;gt;Susan Tallman, [https://www.theatlantic.com/magazine/archive/2025/07/paul-gauguin-sue-prideaux-wild-thing-review/682895/ How to Look at Paul Gauguin] (&#039;&#039;The Atlantic&#039;&#039;, May 30th, 2025).&amp;lt;/ref&amp;gt; His sexual relationships with teenage Tahitian girls have become the subject of great interest, with his &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;15&lt;/ins&gt;-year-old wife [https://en.wikipedia.org/wiki/Merahi_metua_no_Tehamana Teha&#039;amana] being the subject of several of Gauguin&#039;s paintings, including the celebrated [https://en.wikipedia.org/wiki/Spirit_of_the_Dead_Watching &#039;&#039;Spirit of the Dead Watching&#039;&#039;].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &#039;&#039;Wild Thing: A Life of Paul Gauguin&#039;&#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 21st century, Gauguin&#039;s Primitivist representations of Tahiti and its people have been a subject of debate and renewed scholarly attention. His depictions of Polynesian women have been criticized for their relationship to colonialism and patriarchal power, with some critics negatively rendering Gauguin&#039;s sexual relationships with teenage Tahitian girls. In contrast, a 2025 biography &#039;&#039;Wild Thing: A Life of Paul Gauguin&#039;&#039; by Sue Prideaux, describes Gauguin as believing in gender and culture equity, following local Polynesian customs, having the approval of his Danish wife with respect to his works, and as a defender of the locals against the French colonialist oppression. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Writing in &#039;&#039;The Guardian&#039;&#039;, Sue Prideaux writes:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gauguin had three serious relationships. Tehamana, the best known partner, had been supposed to be 13 but a recently discovered birth certificate shows her to have been 15. Within these relationships, Gauguin followed local custom. Sexually experienced girls were offered by their families. No money changed hands. After a couple of weeks, the girl went home to her family for a period, to decide if she then wanted to go back to her new husband. Tehamana returned to Gauguin. There was no coercion. She, like Gauguin’s later lovers, was free to come and go, to return home for good if she liked, and to take other lovers.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;There was no financial advantage in staying: Gauguin in his beach hut was no richer than the average villager. When he went back to Paris for a couple of years to sell his paintings, Tehamana remarried. On his return, she went to live with him for a couple of weeks for old times’ sake.&amp;lt;ref&amp;gt;Sue Prideaux, [https://www.theguardian.com/artanddesign/2025/mar/17/polynesians-astonishing-revelations-paul-gauguin-syphilis-underage ‘The Polynesians loved him’: the astonishing revelations that cast Paul Gauguin in a new light] (&#039;&#039;The Guardian&#039;&#039;, 17 March, 2025).&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Official_Encyclopedia]][[Category:People]][[Category:People: Deceased]][[Category:People: French]][[Category:People: Artists and Poets]][[Category:People: Adult or Minor sexually attracted to or involved with the other]][[Category:People: Historical minor-attracted figures]][[Category:Art]][[Category:History &amp;amp; Events: American]][[Category:History &amp;amp; Events: 19th C]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Official_Encyclopedia]][[Category:People]][[Category:People: Deceased]][[Category:People: French]][[Category:People: Artists and Poets]][[Category:People: Adult or Minor sexually attracted to or involved with the other]][[Category:People: Historical minor-attracted figures]][[Category:Art]][[Category:History &amp;amp; Events: American]][[Category:History &amp;amp; Events: 19th C]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
	<entry>
		<id>https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32686&amp;oldid=prev</id>
		<title>Prue at 02:42, 1 October 2025</title>
		<link rel="alternate" type="text/html" href="https://wiki.yesmap.net/wiki/index.php?title=Paul_Gauguin&amp;diff=32686&amp;oldid=prev"/>
		<updated>2025-10-01T02:42:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:42, 1 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Official_Encyclopedia]][[Category:People]][[Category:People: Deceased]][[Category:People: French]][[Category:People: Artists and Poets]][[Category:Art]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Official_Encyclopedia]][[Category:People]][[Category:People: Deceased]][[Category:People: French]][[Category:People: Artists and Poets&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]][[Category:People: Adult or Minor sexually attracted to or involved with the other]][[Category:People: Historical minor-attracted figures&lt;/ins&gt;]][[Category:Art&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]][[Category:History &amp;amp; Events: American]][[Category:History &amp;amp; Events: 19th C&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Prue</name></author>
	</entry>
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