We have been made aware of the fact that Yesmap's (now disabled) Matrix server was entered under false pretenses by the hostile editor of a supposed "MAP" website some months ago. While some screenshots/logs have been shared (including those of members suffering from mental-health and legal problems), no personally identifying information has been leaked. We are currently compiling a dossier of malicious and criminal activity we believe the publishers of this website are responsible for, and will soon publish and promote it.

Patrick Califia

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Patrick Califia (now "Pat Califia") is a trans LGBTQ activist and writer who has written sympathetic and non-sensational articles about MAPs and age-disparate sexual activity.

Califia wrote for Daniel Tsang's 1981 The Age Taboo, and was published in Paidika: The Journal of Paedophilia (Feminism, Pedophilia, and Children's Rights - 1991[1]). She is associated and friends with Queer Theory founder Gayle Rubin.

Publications

Minors who are given the power to say “no” to being sexually used by an abusive parent or relative are also going to assume the right to say “yes” to other young people and adults whom they desire. You can't liberate children and adolescents without disrupting the entire hierarchy of adult power and coercion and challenging the hegemony of antisex fundamentalist religious values.

The second edition emphasized an anti-contact view (the author wrote about shift in her view of possibility of consent since the 1st edition), and contained articles with subtle reflections on minors' sexuality, anti-pornography movement, the new puritanism and right-wing feminism, and political repression of sexuality. The publisher's description of the 2nd edition:

Public Sex collects the best of Pat Califia's work published over the past 20 years. Providing both a chronicle of the radical sex movement in the United States, as well as the definitive opinions of America's most consistent and trenchant sexual critic, Public Sex is must-read material for anyone interested in sexual practices, feminism, censorship, or simply the art of the political essay.

References