One of our staff members is contributing considerably to a News Archiving service at Mu. Any well educated (Masters, PhD or above) users who wish to make comments on news sites, please contact Jim Burton directly rather than using this list, and we can work on maximising view count.

Downstate: Difference between revisions

From NewgonWiki
Jump to navigation Jump to search
Created page with "thumb|From left: Francis Guinan, Eddie Torres (partially obscured), Glenn Davis, Susanna Guzmán and K. Todd Freeman in the play '''''Downstate''''' is a 2018 Bruce Norris play centering on a group of four Child Sex Offenders, and detailing society's disproportionate response towards them. ''The Guardian's'' Michael Billington wrote in h..."
 
(No difference)

Latest revision as of 17:26, 2 August 2023

From left: Francis Guinan, Eddie Torres (partially obscured), Glenn Davis, Susanna Guzmán and K. Todd Freeman in the play

Downstate is a 2018 Bruce Norris play centering on a group of four Child Sex Offenders, and detailing society's disproportionate response towards them.

The Guardian's Michael Billington wrote in his review:

The setting is a group home in downstate Illinois, where four men with previous convictions live in uneasy confinement. To his credit, Norris shows that sex criminals are individuals rather than a uniform class. The main action stems from the confrontation of Fred, a gentle figure in a motorised wheelchair, with one of his victims, the tormented Andy. But, while Fred is seemingly penitent, his fellow inmate, Dee, shows little remorse for a long-term relationship he had with one of the Lost Boys in a touring production of Peter Pan. Dee is also vehemently at odds with the mouthy Gio, guilty of an offence with a teenage girl. Completing this unhappy quartet is Felix, whose crimes involved his own daughter. [...] But, without exonerating his characters, Norris shows how they react in different ways to their guilt: Fred, for instance, openly acknowledges it, while the noisily articulate Gio lives in a state of denial. Through the presence of a probation officer, Norris also reminds us that the men are increasingly subject to territorial limits: stopping them shopping at a nearby supermarket hardly feels like a major protection of the public. Norris raises all kinds of key questions about how far society’s punitive approach should go: only in the US are registries of sex offenders easily available to the public on the web.[1]

References